A Miscellany, confined to a private edition for decades, sheds further light on the prodigious vision and imagination of the most inventive poet of the twentieth century: E.E. Cummings.
Formally fractured and yet gleefully alive and whole, E. E. Cummings’s groundbreaking modernist poetry expanded the boundaries of language. In A Miscellany, originally released in a limited run in 1958, Cummings lent his delightfully original voice to “a cluster of epigrams,” a poem, three speeches from an unfinished play, and forty-nine essays―most of them previously written for or published in magazines, anthologies, or art gallery catalogues. Seven years later, George J. Firmage―editor of much of Cummings’s work, including Complete Poems―broadened the scope of this delightfully eclectic collection, adding seven more poems and essays, and many of Cummings’s unpublished line drawings.
Together, these pieces paint a distinctive portrait of Cummings’s eccentric, yet precise, genius. Like his poetry, Cummings’s prose is lively; often witty, biting, and offbeat, he is an intelligent observer and critic of the modern. His essays explore everything from Cubism to the circus, equally quick to analyze his poetic contemporaries and satirize New York society. As Cummings wrote in his original foreword, A Miscellany contains “a great deal of liveliness and nothing dead.” This remains true today, more than fifty years after its original publication.
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E. E. Cummings (1894–1962) was among the most influential, widely read, and revered modernist poets. He was also a playwright, a painter, and a writer of prose. Born in Cambridge, Massachusetts, he studied at Harvard University and, during World War I, served with an ambulance corps in France. He spent three months in a French detention camp and subsequently wrote The Enormous Room, a highly acclaimed criticism of World War I. After the war, Cummings returned to the States and published his first collection of poetry, Tulips & Chimneys, which was characterized by his innovative style: pushing the boundaries of language and form while discussing love, nature, and war with sensuousness and glee. He spent the rest of his life painting, writing poetry, and enjoying widespread popularity and success.
George J. Firmage edited many works by Cummings, including Erotic Poems; Complete Poems, 1904– 1962; and Fairy Tales.
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Book Description Hardcover. Condition: new. Hardcover. Formally fractured and yet gleefully alive and whole, E. E. Cummings's groundbreaking modernist poetry expanded the boundaries of language. In A Miscellany, originally released in a limited run in 1958, Cummings lent his delightfully original voice to "a cluster of epigrams," forty-nine essays, a poem, and three speeches from an unfinished play. Seven years later, George J. Firmage editor of much of Cummings's work, including Complete Poems broadened the scope of this idiosyncratic collection of Cummings's work, adding seven more poems and essays, and many of Cummings's unpublished line drawings. Together, these pieces paint a distinctive portrait of Cummings's eccentric, yet precise, genius. His essays explore everything from Cubism to the circus, equally quick to analyze his poetic contemporaries and satirize New York society. As Cummings wrote in his original foreword, A Miscellany "contain[s] a great deal of liveliness and nothing dead." This remains true today, more than fifty years after its original publication. Confined to a private edition for decades, this volume sheds further light on E.E. Cummingss prodigious vision and imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780871406538
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