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Pandaemonium then returns to Hollywood where, upon his return from an internment camp in Europe, Von Beckmann's plans to make a great Western become inextricably tangled with labyrinthine studio politics and Lorre's attempts to shed his association with Mr. Moto. The second narrator, gossip columnist Louella Parsons, takes up the tale, chronicling Lorre and Von Beckmann's return to Europe in search of Magda. By the time Epstein reaches the filming of Von Beckmann's Western, his fictional landscape resembles Milton's Hell very closely indeed. Pandaemonium is funny, ambitious, and makes for wickedly good reading.
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